Interviews and Reviews

The Crossing Over

The Crossing Over Cover

Jen Karetnick, in her chapbook of poems The Crossing Over, writes about what is arguably one of the most heart-wrenching events of present times, the migrant exodus across the Mediterranean Sea. Karetnick gives a boat a voice, and all of the poems are written as an experience that the boat has or has not.

The poems draw a sequence that starts with the birth of the vessel, and then carry on describing the responsibility it bears, the tribulations it faces, and the tragedy it experiences in the process. Karetnick weaves a poignant journal of the boat and to some, the life it restores.

—Review by Sury Ghosh Jha, Trampset

Jen Karetnick’s The Crossing Over is an expedition, repurposing the conceit of a boat to explore the significance of a journey over its destination. The boat is animated, personified, and in some instances, the boat faces a transmutation in order to highlight the importance of what can be carried, and what does the carrying. The transportation of bodies, stories, and morals, is given privilege.

—Review by Miguel Soto, Jet Fuel Review

To read the 21 poems of Jen Karetnikck’s new collection The Crossing Over is to find all of these metaphors of the ocean and more. The ocean is something to get across, to explore, to taste and smell, to be threatened by, to live upon, to watch, to learn from, to be buried in. The ocean has its own history, psychology, theology, and language. It is a playground for three-year-olds and a cemetery for countless ships and airplanes. It offers its bounty but demands its sacrifices… The poems of The Crossing Over remind me that I am temporal and the ocean is eternal, and it possesses a wisdom I will never know. Karetnick has done something rather marvelous here.

—Review by Glynn Young, Tweetspeak: the best in poetry and poetic things

Recently Received and Recommended Books, Volume XX, Valparaiso Poetry Review, May 2019

Hot off the Presses, Poetry Daily, April 2019

Interview with Photic Zone, Split Rock Review, March 2019

Monday Must Read, Mary Carroll-Hackett: Poetry and Prose, April 2019

 

The Treasures That Prevail

The Treasures That Prevail cover

With The Treasures That Prevail Jen Karetnick has penned a collection that is beautiful and terrifying, that is lyric and devastating, that rings of Cassandra in the ways its truths fall upon deaf, ignorant, or apathetic ears. The language within these pages is thick and malleable, painting with words a picture that you might cut back with a machete in a valiant effort to combat the vengeful wrath of a raped and battered Mother Earth. For even the best among us — in the age of capitalism and consumerism and selfish, self-destructive climate change — are but “birds nesting together who have closed // our throats to song.”

—Saturday Poetry Series Presents, As It Ought to Be

Review by Bonnie Losak, Florida Book Review, October 8, 2017

Review, Tufts Magazine, Spring 2017

Video Interview with SoFloPoJo host Lenny DellaRocca, Miami Book Fair, November 18, 2016

Radio Interview with host Nidia Hernández Brizuela and translator Juan Arellano Valdivia, Miami Book Fair, November 18, 2016

Review by Glynn Young, Tweetspeak Poetry, September 6, 2016

Review by Matt Sutherland, Foreword Reviews, September 1, 2016

Review by Barbara Harroun, Mom Egg Review, August 2, 2016

 

American Sentencing

AmericanSentencing_FLAT high res

…The poems in Jen Karetnick’s American Sentencing, use elements of formalism—such as the structure of the ghazal, the villanelle, or the pantoum—to reveal painful patterns of illness, to reenact the experience of the body at risk of failing. Through the rigidity and repetition subscribed by these forms, Karetnick finds a way to illuminate the limitations of the diseased body; she shows us the cell’s obsessions, their hidden language that imprisons us.

Through the hypnotizing music of her poems, the reader sees that one way out of the cage of disease is human connection. By giving language to the experience, the loneliness of the experience is diminished. Because invisible illness is a sickness of extreme isolation. Karetnick seeks to draw the reader into a community of understanding by naming the body’s elusiveness, its ability to act upon us without our participation…

—Review by Lesley Contreras Schwartz, The Stirring, November 1, 2016

Interview with Darrell Laurent, Snowflakes in a Blizzard, August 7, 2018

Review by Shane Neilson, Wordgathering, March 2018

Video Interview with SoFloPoJo host Lenny DellaRocca, Miami Book Fair, November 18, 2016

Radio Interview with host Nidia Hernández Brizuela and translator Juan Arellano Valdivia, Miami Book Fair, November 18, 2016

Review by Bonnie Losak, Florida Book Review, October 8, 2017

Review, Tufts Magazine, Spring 2017

Interview with Nicole Ross Rollender, Carpe Noctem, September 24, 2016

Review by Glynn Young, Tweetspeak, September 6, 2016

Review by Hannah Cohen, Mom Egg Review, August 14, 2016

Review by Gretchen Gales, Quail Bell Magazine, May 30, 2016

Interview with Kallie Falandays, Tell Tell Poetry, April 24, 2016

Review by Rita Maria Martinez, Poets and Artists, June 4, 2016

Brie Season

Brie Season 1

Jen Karetnick’s Brie Season reminds us that food is life and life is food. The pages of this collection is littered with odes to the art of cooking and eating. The poems remind us of the joy that is food. Karetnick reinforces this understanding by aligning food with mundane items. In this way, we become aware of the specialness inherent in what we eat… For an artful reminder, pick up and savor Karetnick’s work.

—Review by Elvis Alves, Compulsive Reader, December 12, 2016

Review, Tweetspeak Poetry, January 1, 2016

 

Prayer of Confession

Prayer of Confession

Jen Karetnick’s Prayer of Confession pulls the reader into an intimate, enclosed space—often either a private, domestic space or a suspended moment—that is alternately comforting and suffocating, at times a place of productivity and rebirth and at times a stifling, labyrinthine funhouse that consumes and destroys. In these spaces, identity is either recovered or lost—fragments of the self add up to a whole that is seemingly cohesive and meaningful, or become increasingly disjointed… What Karentick captures in her poetry is the anxiety and uncertainty produced by the uncanny, by the subtle gap that emerges between the familiar and unfamiliar.

—Review by Amanda Hicock, Cleaver Magazine, 2014

Landscaping for Wildlife

Landscaping for Wildlife

Landscaping for Wildlife seeks to reconcile the forces of the natural world with human nature. It uses various poetic forms (including villanelle, pantoum, and sestina) to create observations that are rich and nearly ritualized in their music and lyricism. Jen Karetnick’s poems capture the domestic and untamable sensibility (or one could even say conceit) that resides inside us as we witness scenarios of encroachment—whether of the wild on the familiar, or vice versa… In visions mythic and modern, concise and elaborate, Karetnick’s poems become a collective cautionary tale. They capture beauty among caveats, dazzling the reader with scenes and images that too suddenly slip from our view.

—Review by Mindy Kronenberg, Weave Magazine, November 2013